New South Minneapolis
art shop shines with ingenuity
By Adrienne Urbanski
The
exterior of Lydia’s Creations resembles an ambitious elementary
school art project. Its glittering purple and silver cutouts declare
the store’s name amidst a flurry of lavender hearts, golden
leaves and swirls of fake flowers. A giant fork and spoon, freshly
spray painted gold, sit drying on a card table near the doorway.
Owner Lydia Perkins changes the store’s exterior frequently.
Last week a series of old oil paintings redone with spirals of words
and images let you know you were entering the world of Lydia’s
Creations.
“The landlord asked me if I could lay back
on the constant decorating a bit, but I didn’t listen,”
Lydia says, laughing.
With cascades of newly golden curls, bright blue
fingernails and large dangling earrings, Lydia herself resembles
a creative child as she grins at the opportunity to show off her
latest project.
“Artists never grow up. You just put on
an image of being an adult,” she says. “If you’re
not in touch with the part of you that’s a child, you can’t
be artistic.”
Inside the shop is every bit as whimsical as
its exterior. Baskets intertwined with flowers provide a home for
toy ponies, shrubs sprout with colored candies, dolls sit for tea
in an antique dollhouse, and a large garden of colorful flower pens
greet you. An art gallery in the back shows off Lydia’s paintings,
which are culminations of both religious and familial inspirations.
A gold framed painting, proudly displayed in the store’s entryway,
marks Lydia’s first entry into an art show, the 5th Annual
Juried Religious Art Show, and her first award, an honorable mention.
“That was the first time anybody outside
of my family encouraged my work. I wouldn’t keep my paintings
but my husband would. He’s the only one that valued them.”
The child-like quality seen so strongly in both
Lydia’s appearance and in her shop is also as evident in her
paintings. Simplistic lines, the use of colored pencil, an assortment
of jewelry, and the one-dimensional qualities of her subjects’
faces all evoke a child’s view of the world. Figures from
the Bible hang alongside paintings of Lydia’s daughters, all
bursting brightly with crayon box colors and gemstones.
Jurors at the show cautioned Lydia, “Never take any formal
training; they’ll destroy your creativity.”
This spring was a major turning point for Lydia—it
marked not only her first art show but also the opening of her first
shop. She returned to art early this spring after feeling dissatisfied
with her life.
“I told my husband that I was worried about
not being anybody and he said that my art is my legacy.”
Lydia’s daughters further encouraged their
mother and found a site for the store, located near 37th and Chicago.
The area shows a growing arts community fostered by the existence
of the Pillsbury House.
Prior to opening her store, Lydia created handmade
gifts that she readily gave away.
“My daughters hope having this space will
force me to start charging for some of my stuff. I used to give
my things away everywhere: at the Hennepin County Hospital, in a
parking lot, or just meeting people on the street. I still keep
giving things away to potential customers.”
About the same time that Lydia opened her shop,
she spotted the ad for the Juried Religious Art Show, entered and
won an honorable mention. The exhibit also allowed her to display
additional work at the winner’s showcase, which led to her
selling her first painting.
Even though Lydia only recently began working
as an artist, she found art to be useful when she worked as a teacher’s
aide for disabled students in the Minneapolis Public School system.
“Kids with down syndrome really work well
with art, because they have this secret world to share through the
use of art.”
Lydia also expressed her artistic energy in church
settings alongside her husband, who works as a preacher. Lydia used
art projects to excite children about religion, and often painted
their faces at church events.
Lydia also encourages both her children and grandchildren
to express themselves visually. She lovingly points out a skillfully
done pencil drawing her grandson did.
“I guess the talent runs in the family,” she says with
a shrug.
Evidence of Lydia’s newly brightened disposition
lies all across the store. A small grinning doll in a hot pink track
suit wears a sign declaring “I’m Lydia!” Among
the newest works hanging in the store is a large painting of a woman
covered in jewels and bright colors; a card hanging next to its
frame reads “Lydia: In Her Glory.”
“This has really been marvelous. For the
first time in my life I really feel complete. This is my coming
out, this is my first time just being me,” Lydia says as she
stretches her arms out across her store.
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